Yet another reason to love digital photography:

It snowed today. Before shoveling, I got a few photographs. The light is from high-pressure sodium street lamps. I set a custom white balance using the snow as a white sample, and, look, the color is fairly natural. The snow is white, my red car is red. I’m used to losing two stops to a deep blue filter to shoot color slide film indoors under tungsten light, and you can just forget any other kind of artificial light other than the flash, and now I can get decent photos under fluorescent lights, or as this shows, even high pressure sodium.

It snowed today. Before shoveling, I got a few photographs. The light is from high-pressure sodium street lamps. I set a custom white balance using the snow as a white sample, and, look, the color is fairly natural. The snow is white, my red car is red. I’m used to losing two stops to a deep blue filter to shoot color slide film indoors under tungsten light, and you can just forget any other kind of artificial light other than the flash, and now I can get decent photos under fluorescent lights, or as this shows, even high pressure sodium.
Film is so dead
Date: 2004-12-21 06:33 am (UTC)Re: Film is so dead
Date: 2004-12-21 05:50 pm (UTC)It is great to be able to set it to ISO 400 sensitivity and an appropriate white balance setting and shoot hand-held indoors without a flash if the light is good, even with the somewhat slow lens, f/2.8 at the wide end. You certainly can't do that with 100 speed slide film and two stops lost to the deep blue filter. I think I bought a roll of tungsten-balanced slide film once, but then you can't use sunlight or flash. The digital white balance reminds me of black and white, where you can pretty much ignore color temperature and use any light, which is quite liberating.