Attention: I Want Readers!

Jan. 21st, 2026 04:06 pm
ahunter3: (Default)
[personal profile] ahunter3
I really like my current work-in-progress book, Within the Box. It's another autobiographical narrative: in 1982, Derek is a femme, one of the males who is more like one of the girls. Derek's worried parents are putting him into a fancy rehab facility, the kind of place where high-end psychiatrists try to reprogram people — but this time the shrinks may be biting into more than they know how to chew.

Within the Box is a psychological suspense tale. The reader is invited along to wonder who is right, and whether the institution is benign or awful, whether Derek is arrogant and stubborn or bravely resistant.




I had that particular experience and I wrote about it, and in my writing I wove all the concerns and intentions that I had at the time.

I believe it is entertaining.

I also believe it is a very good mirror into the experiences of a person that the lit agents haven't mapped as a perspective they should support. No one else has said it yet, not like that. It overlaps with stuff they've heard of and know about, but it keeps making sudden turns, usually without signalling.

"Publish it" is still the boilerplate first-tier response to "how do I get folks to read my book?" But how?? I've sent out 652 query letters to lit agents about it and have scarcely received anything warmer than a form-letter rejection in reply.

For my first book, GenderQueer: A Story From a Different Closet, I sent out 1474 queries before giving up on lit agents and switching to querying small publishers. Eventually landed a contract with hybrid publisher Sunstone Press.

Going with a hybrid publisher meant it was up to me to inform the rest of the world that these books existed. To promote and publicize them. Sunstone Press had no budget for doing that. I thought I could — I hired an experienced publicist, I bought ads in major newspapers and bought a ream of internet ads; my publicist got me speaking engagements and discussion panel appearances; I emailed libraries, making the case for them acquiring copies of my books; I blanketed organizations and associations whose purpose tied in with the themes of my book. I spent roughly $50,000 on it.

Dozens of people bought my book.

I think I'm going to publish Within the Box right here, one chapter at a time.

I'm hoping people will read it and comment on it as I go. I'm hoping that if they like it, they'll spread the word.

When I get to the end, I'll start over with the first chapter, by which point I'll no doubt have made changes.

Meanwhile, I'll keep querying lit agents, because why not? But this way I'm not postponing the experience of having readers.



—————


My first book, GenderQueer: A Story From a Different Closet, is published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback, hardback, and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, has also now been published by Sunstone Press. It's a sequel to GenderQueer. It is available on Amazon and on Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.

I am still querying my third book, Within the Box, and seeking advance readers for reviews and feedback. It is set in a psychiatric/rehab facility and is focused on self-determination and identity. Chronologically, it fits between the events in GenderQueer and those described in Guy in Women's Studies; unlike the other two, it is narrowly focused on events in a one-month timeframe and is more of a suspense thriller, although like the other two is also a nonfiction memoir. Contact me if you're interested.






Links to published reviews and comments are listed on my Home Page, for both published books.

———————

This DreamWidth blog is echoed on Substack and LiveJournal. Please friend/link me from any of those environments on which you have an account.

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duskpeterson: The lowercased letters D and P, joined together (Default)
[personal profile] duskpeterson

So famed is the Empire of Emor for its law system that many foreigners do not realize that Emor holds accomplishments in other arts. Foremost among these arts is medicine.

Until the practice of medical training was formalized in Emor, the knowledge of how to heal was informally passed on by peninsularean men and women who received no special training. Despite these drawbacks, some of the healers were quite good; Koretia's healing women deserve special mention. But the creation of the Medical Academy during the period of the Middle Charas caused knowledge of healing to leap forward immensely. These days, many a healing woman, priest, or bard will travel north to spend time in the Medical Academy, learning valuable lessons.

The Physicians' Quarters next door were created after the Medical Academy, as a place to allow students to work under experienced doctors. The Physicians' Quarters cares for city residents and a select number of soldiers who are undergoing lengthy convalescence.

Because of the doctors' important work, visitors may find it difficult to obtain entrance to either the Quarters or the Academy. I've found that dropping a rock on my foot does the trick.


[Translator's note: The protagonist of Death Mask begins his journey at the Physicians' Quarters.]

duskpeterson: The lowercased letters D and P, joined together (Default)
[personal profile] duskpeterson

If you want to see Emor at its best, visit its City Court in session.

Actually, if you are staying with an Emorian acquaintance, it's unlikely you'll be given any choice about this. Emorians assume that everyone in the world is as enthralled with their laws as they are. Thankfully, Emorians are right to be proud of their law system, founded centuries ago by their Chara and council. This law system, known simply as the Chara's law, is one of the bulwarks of civilization in the Three Lands.

The best way to visit a law court is to prepare yourself beforehand by listening to an Emorian explain their law system to you. Any Emorian will do; even Emorian ditch-diggers know a good deal about the law. Indeed, even Emorian women do.

The City Court is not terribly formal, by Emorian standards, and the rules for behavior will be explained to you beforehand by the guards at its door. Wear your best clothes and be on your best behavior; otherwise, you can relax and enjoy the spectacle.

On your way out, be sure to visit the adjoining Law Academy, founded by the City Court in order to give advanced lessons in the law. The Academy does not try to compete with the traditional Emorian methods of learning law: tutoring, apprenticeships, and playing law-based games when one is a boy. Rather, the Academy provides supplemental education for Emorians who plan to apply for high positions in the law, such as at the palace. Most of the Academy students are between the ages of eight and sixteen, though students as young as four are accepted, if they plan to apply for a youth post, such as scribing or paging. On the other end of the scale, a few students are full-grown men who, because of unfortunate circumstances, missed out on the normal training in the law that virtually all Emorian boys receive. In recent years, many of these students have been former slaves. The Academy welcomes them all, even going so far as to pay the fees of any students whose slave service left them penniless.


[Translator's note: Emorians' obsession with the law is on full display in Law Links.]

A Couple of Updates

Jan. 11th, 2026 12:42 pm
ahunter3: (Default)
[personal profile] ahunter3
In the querying of my third book, a new record has been set, and I suspect it will not be broken.

I received a canned rejection letter ("I'm sorry, but your project does not sound like a fit for me at this time...").

Date I sent the query: 7/4/2023
Date I got the response: 1/7/2026
Interval between: 918 days (2 years, 6 months, and 3 days)


:: shakes head ::


Why would you bother to send a reply to a query that's been backburnered that long if you're only going to send a standard form rejection letter? I would expect at least a "Dear Author, my admin assistant found your vintage-2023 query letter where it had accidentally been transferred to our Deeds and Property Management inbox. I want you to know we did give it serious, if belated, consideration, but I don't think it's a project I could sign on for", or "Dear Author, I have been recovering from the consequences of a head-on collision that left me in a whole-body cast for years, and I'm only now catching up on my querying inbox..." or something?!?

The usual advice I've seen is "If you haven't received a reply within 3 months of sending a query, that's a pass". Lots of lit agents only reply if they are interested. So yes, of course I'd marked it as "NoReply 3Mos" and was no longer treating it as an outstanding query.

----

I still work on the book. Recently, I marked two places in my manuscript where I told my readers about something that was occurring in that timeframe, but didn't provide the dialog and interactions -- what we call "telling, not showing". And I made a note to myself: "If these are important to the story, do these as real scenes; if they aren't, get rid of these references!"

I decided in both cases to develop them. The first one in particular appealed to me as something the book would benefit from actually having: I had stated that in my day-to-day interactions with the other rehab patients, I occasionally made fun of certain behaviors in ways that some of them found offensive.

I decided I wanted that, to show myself not only opening up to them but also caring enough about their feelings that it would make me feel embarrassed and apologetic if I offended them.

The other "throwaway line" was where I made passing reference to an uneventful psychodrama session involving one of the women I was kind of developing an interest in. Well, if I was becoming interested in her, why wouldn't I have found the psychodrama session immersive? Yeah, I should either write the scene or discard the mention. I decided to write it and it does flesh out here character more to have that in there.



So, some people might have the attitude "You should not be querying your book until it is FINISHED." Well, David Gilmour has continued to perform music that Pink Floyd was performing back when I was in high school, and he occasionally finds new ways of presenting the material, small changed in how he expresses this or that section. That doesn't mean it wasn't fit for musical consumption back in 1976. I doubt I'll quit modifying the book until it does get published, but it has long since become a good book that's well worth reading for entertainment and enlightenment and good shivers.


—————


My first book, GenderQueer: A Story From a Different Closet, is published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback, hardback, and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, has also now been published by Sunstone Press. It's a sequel to GenderQueer. It is available on Amazon and on Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.

I have started querying my third book, Within the Box, and I'm still seeking advance readers for reviews and feedback. It is set in a psychiatric/rehab facility and is focused on self-determination and identity. Chronologically, it fits between the events in GenderQueer and those described in Guy in Women's Studies; unlike the other two, it is narrowly focused on events in a one-month timeframe and is more of a suspense thriller, although like the other two is also a nonfiction memoir. Contact me if you're interested.






Links to published reviews and comments are listed on my Home Page, for both published books.

———————

This DreamWidth blog is echoed on LiveJournal and WordPress. Please friend/link me from any of those environments on which you have an account.

————————


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